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Cicero

Brutus, or On Eminent Orators Passage 141

Passage 141 of 334

Canonical reference 141

Latin

perseus-cicero-brutus-lat

quo genere quia praestat omnibus Demosthenes, idcirco a doctis oratorum est princeps iudicatus. σχήματα enim quae vocant Graeci, ea maxime ornant oratorem eaque non tam in verbis pingendis habent pondus quam in inluminandis sententiis. sed cum haec magna in Antonio tum actio singularis; quae si partienda est in gestum atque vocem, gestus erat non verba exprimens, sed cum sententiis congruens: manus umeri latera supplosio pedis status incessus omnisque motus [cum verbis sententiisque consentiens ]; vox permanens, verum subrauca natura. Sed hoc vitium huic uni in bonum convertebat.

English AI-generated translation, non-official

Codex gpt-5.6-sol · Non-official working translation · 2026-09-11

Because Demosthenes surpasses everyone in this kind, learned men have judged him the foremost of orators. For what the Greeks call σχήματα particularly adorn an orator, and they have force less in embellishing words than in illuminating thoughts. But although these qualities were great in Antonius, his delivery was unique. If delivery is to be divided into gesture and voice, his gesture did not act out his words but accorded with his thoughts: his hands, shoulders, sides, stamping of the foot, posture, gait, and every movement [agreed with his words and thoughts]. His voice was steady, though naturally somewhat hoarse. But in his case alone this defect turned to advantage.

French AI-generated translation, non-official

Codex gpt-5.6-sol · Non-official working translation · 2026-09-11

Parce que Démosthène surpasse tous les autres dans ce genre, les hommes instruits l’ont jugé le premier des orateurs. Les σχήματα, comme les appellent les Grecs, donnent en effet à l’orateur son principal ornement, et leur force tient moins à la parure des mots qu’à la mise en lumière des pensées. Mais, si ces qualités étaient grandes chez Antoine, son action oratoire était incomparable. Si on la divise entre le geste et la voix, son geste n’exprimait pas les mots, mais s’accordait avec les pensées: les mains, les épaules, les flancs, le frappement du pied, la posture, la démarche et chaque mouvement [s’accordaient avec les mots et les pensées]. Sa voix était soutenue, mais naturellement un peu rauque. Ce défaut même, chez lui seul, tournait à son avantage.

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